​
Sercifer 04.03.2025 11496

Rectal Smegma Interview (Yannic Ophorst)

Rectal Smegma is one of those Goregrind bands with many Brutal Death Metal overtones that since they started with “Licking a Leper” (2004) were always within the core of that movement that was in vogue at that time, where everything was butt, fart, every, jokes, laughs and other ideas that Goregrind began to explore much more at the time, and many bands began to appear within this concept, where there were very good expressions of the style at a general level. So, this Dutch band was always within this explosion of Brutal Death Metal and Gonorrhea Metal bands, as simple as that, and they even were twice in the defunct Mountains of Death Metal festival in Switzerland, where the whole Brutal Death Metal scene had its greatest representatives from 2009 to 2011, and when the DVD could be downloaded for free, you saw how this band gave itself to the public and how Yannic Ophorst with the vocals was insane when it came to pressing the vocal effect to make it more demonic. But many of those years passed and now the band presents its sixth studio album called “To Serve and Protect” released through Rotten Roll Rex. For this reason, Metallerium interviewed the band's vocalist.

 

Para leer la entrevista en español: Entrevista a Rectal Smegma

 

Metallerium: Welcome to Metallerium Webzine! First off, thank you for taking the time to chat with us. How is the band doing these days, and what’s the current vibe within Rectal Smegma as you approach the release of To Serve And Protect?

 

Rectal Smegma: Thanks for having us! We’re doing great,excited, hyped, and maybe a little impatient! After nine years, finally dropping To Serve And Protect feels unreal. The energy in the band is at an all-time high, and we can't wait for people to hear what we've been cooking up.

 

Metallerium: Nine years have passed since your last album, Gnork (2016). What factors contributed to the gap between albums, and how did you decide it was finally time to unleash new material?

 

Rectal Smegma: After Gnork we got a shitload of festival shows and tour, most of the time went to this. Then some personal stuff, and just the usual chaos. But throughout all that, we never lost the passion. We’ve always been playing shows and writing riffs, but it took a while before everything clicked into place for a new album. After Hellfest 2022 we felt we had something truly killer, we knew it was time.

 

Metallerium: Sonically and lyrically, how does To Serve And Protect push boundaries compared to your past work? Should fans expect evolution, reinvention, or a return to roots?

 

Rectal Smegma: A bit of everything! The signature Rectal Smegma sound is still there…filthy, fast, and brutal—but we’ve really stepped up the songwriting and production. The riffs hit harder, the blast beats are faster, and we’ve got some unexpected twists in there. Lyrically, we’re still in the same ballpark dark humor, social commentary, and just straight-up offensive fun.

 

 

Metallerium: Walk us through your songwriting process. Do you wait for inspiration to strike, or is it a disciplined, collaborative grind? How long were these songs in the works before they felt “ready”?

 

Rectal Smegma: It’s definitely a mix. Some songs came together in a few sessions, others took years to refine. We don’t force things—if a riff or song idea doesn’t feel right, we leave it and come back later. When we finally locked in our current lineup, the writing process became super fluid. We bounce ideas off each other, jam, and let the chaos flow naturally. Our new bass player Alex that comes in 2023 was a good addition in this whole process.

 

Metallerium: The band’s name, Rectal Smegma, is… unforgettable. What’s the story behind it? Does it reflect your philosophy toward music, shock value, or rebellion against societal norms?

 

Rectal Smegma: Haha, yeah, it’s definitely a name you don’t forget! It started as a joke…Our first name was Carnal Rancidity, then it became Rectum Smegma and we and up as Rectal Smegma in a period of 2 months. I remember we were high on the Mac drive when we finally turned it into Rectal Smegma. I was about 16 years old. It was just the most disgusting name we could come up with at the time. But over the years, it stuck because it fits who we are: brutal, ridiculous, and completely unapologetic. It’s not just about shock value; it’s about not taking ourselves too seriously in a genre that sometimes does, and people love it 😊

 

Metallerium: The album artwork for To Serve And Protect is striking. What themes or messages did you want the cover to convey, and how did you settle on this visual representation?

 

Rectal Smegma: We wanted something that fit the album title. This arose from the title that we had had on the shelf for 15 years. About 3 years ago we picked this up again and I started writing a script for the video. The artwork was created from the video ‘’To Serve and Protect’’ and in the last band photo with the kids you can see the mascot getting us, these are the bad guys in the new album cover. A twisted take on authority, protection, and the idea that those in power aren’t always the heroes they claim to be. The artist really nailed that mix of aggression and dark humor that defines our music. It’s intense but also has that chaotic energy we love.

 

 

Metallerium: In today’s hyperconnected world, singles and teasers spark global reactions instantly. How has the response to your previews been so far? Do you engage with fan comments or reviews, or avoid them entirely?

 

Rectal Smegma: The response has been insane! People seem just as excited as we are, and that’s the best feeling. We love interacting with fans whether it’s social media comments, messages, or just meeting people at shows. Reviews are cool to see. We received some reviews of the new album already with enormous appreciation in terms of final grade and fantastic comments but at the end of the day, if the fans are happy, we’re happy.

 

Metallerium: Your live shows are legendary for their chaotic energy and dark humor. How do you translate that raw, visceral essence into your studio recordings without losing the "live" magic?

 

Rectal Smegma: For this album, we actually approached things completely differently than our previous recordings. This time, we used a click track, which is something we hadn’t done before. It helped us keep everything super tight while still capturing that raw energy we bring to the stage. Even though the recording process was more structured, we made sure not to over-polish anything…keeping that natural grind feel intact. It takes waaaaay longer to finish it all but e so happy with this result.

 

Metallerium: Extreme music often faces backlash from conservative groups. With rising censorship efforts worldwide, do you fear your explicit lyrics or imagery might ever be targeted? Is “offending the offended” still part of the genre’s DNA?

 

Rectal Smegma: We do keep this in mind to some extent. Twenty years ago, we could say and release literallyanything, but times have changed. A good example is our "Fuckface" shirt, which got banned at festivals and is something our label no longer wants to release due to cancel culture. So, whether we like it or not, we have to be a bit more aware of these things. That said, we’ll always stay true to what makes grindcore great..pushing boundaries and not taking ourselves too seriously.

 

 

Metallerium: AI is reshaping music creation, from generating riffs to cloning voices. What’s your stance on its role in metal? Would you ever use AI tools, or is human imperfection crucial to your sound?

 

Rectal Smegma: AI is cool for some things, but grindcore is all about human aggression. The little imperfections, the raw energy, the human fun element… AI can’t replicate that. We might use it for something like funny promo content, but never for writing our music.

 

Metallerium: Any advice for young bands in 2025? How do you stand out in an oversaturated scene where listeners have attention spans shorter than a grindcore song?

 

Rectal Smegma: Be yourself, don’t try to follow trends, and never half-ass your live shows. People will remember you if you give them an experience, not just music. Also… social media is your friend, whether you like it or not.

 

Metallerium: Rectal Smegma has survived 20 years in this chaotic industry. How has the band evolved since its inception, and what lessons keep you grounded amid lineup changes or creative challenges?

 

Rectal Smegma: We’ve grown musically, but our core attitude remains the same: have fun, play loud, and don’t give a fuck. Lineup changes and life challenges happen, but as long as the passion is there, we keep going. Surround yourself with the right people, try to improve your music and be creative with the promotion and stuff, this helps to keep the fun going and again…don’t take yourself too seriously haha.

 

 

Metallerium: Reflecting on your career, has the metal scene turned out as you envisioned two decades ago? What surprises or disappointments have shaped your perspective?

 

Rectal Smegma: The scene is always evolving. Some things are better now… more accessibility, more opportunities, but some things have been lost, like the old-school tape and cd-trading mentality, with a booklet and stuff. One thing that never changes is the dedication of metal fans, and that’s what keeps us going.

 

Metallerium: Any plans to tour, especially in Latin America—a region known for its rabid metal fans? Lastly, any parting words for the loyal degenerates awaiting To Serve And Protect?

 

Rectal Smegma: We’d love to hit Latin America again those crowds are insane! We will come back in 2026! Right now, we’re planning this year an Asia tour a lot of summer festivals and seeing where this album takes us. To all the grind freaks out there: thanks for the support, stay filthy, and get ready for To Serve And Protect!

 

YANA SAQRA RADIO
Donar con PayPal

Críticas más leídas
Megadeth - Megadeth - 2026Megadeth - Megadeth - 2026
“Megadeth” es un disco que deja a la banda con un cierre correcto, no pides más de ellos y tampoco supera a discos pasados, solo muestra la última cara de la banda y como se...
Karnivool - In Verses - 2026Karnivool - In Verses - 2026
“In Verses” de Karnivool sigue fiel a su sonido y su personalidad, siendo otras de las bandas que empezaron lo que ahora le dicen Progressive Metal moderno.
Locus Noir - Shadow Sun - 2026Locus Noir - Shadow Sun - 2026
“Shadow Sun” de Locus Noir es un disco que lo tenía en la lista de esperados para escucharlo completamente, porque primero espera nueva música de uno de los de Sybreed.
Buried - Imagined Deformation - 2026Buried - Imagined Deformation - 2026
“Imagined Deformation” de Buried es un disco que tiene potencia en todo y es brutal a nivel general, de aquellos que haces play y luego te sacude todo el cuerpo.
Exhumed - Red Asphalt - 2026Exhumed - Red Asphalt - 2026
“Red Asphalt” de Exhumed es un disco que revive ese lado más goregrind dentro en su música desde la portada de esta hasta el último segundo del disco, y eso es bueno.
Entrevistas más leídas
Entrevista a Solegnium (Edward Parra)Entrevista a Solegnium (Edward Parra)
Nueva entrevista en Metallerium, y esta vez con los colombianos de Solegnium por su último álbum llamado Unheimlich y editado por el sello francés de Pathologically Explicit Recordings
Entrevista a Enthroned (Nornagest)Entrevista a Enthroned (Nornagest)
Nueva entrevista en Metallerium, y esta vez con los belgas de Enthroned por su último álbum llamado Ashspawn y editado por el sello francés de Season of Mist.
Entrevista a Sun of the Dying (Daniel y Roberto)Entrevista a Sun of the Dying (Daniel y Roberto)
Nueva entrevista en Metallerium, y esta vez con los españoles de Sun of the Dying por su último álbum llamado A Throne of Ashes y editado por AOP Records.
Entrevista a Putrid (Miguel Ángel Beraun)Entrevista a Putrid (Miguel Ángel Beraun)
Nueva entrevista en Metallerium, y esta vez con los peruanos de Putrid por su último álbum llamado All That We Hate y editado por Godz ov War Productions.
Entrevista a Phobocosm (Samuel Dufour)Entrevista a Phobocosm (Samuel Dufour)
Nueva entrevista en Metallerium, y esta vez con los canadienses de Phobocosm por su último álbum llamado Gateway y editado por Dark Descent Records.
Bitácora más leída
Bandas Suecas que cambiaron las reglas del juego en el Metal mundialBandas Suecas que cambiaron las reglas del juego en el Metal mundial
Presentamos una lista de bandas suecas que cambiaron las reglas del juego en el Metal mundial, quienes hasta el día de hoy dejaron su marca en el mundo para siempre.
Ranking de lo peor a mejor de Dream TheaterRanking de lo peor a mejor de Dream Theater
Nuevo ranking de álbumes en Metallerium, y esta vez hablamos de los estadounidenses de Dream Theater desde su icónico primer álbum hasta su último álbum editado el 2025.
Ranking de lo peor a mejor de TestamentRanking de lo peor a mejor de Testament
Nuevo ranking de álbumes en Metallerium, y esta vez hablamos de los estadounidenses de Testament desde su icónico primer álbum hasta su último álbum editado el 2025
Lo mejor de Chile 2025 (Macslaughterday)Lo mejor de Chile 2025 (Macslaughterday)
Presentamos lo mejor de Chile 2025 según nuestro solido entrevistador y algunas veces encargado de cubrir de conciertos en otras partes del mundo, Macslaughterday presente.
Lo mejor del 2025 (Vlad)Lo mejor del 2025 (Vlad)
Llego a su fin el 2025, un Año con discos geniales y producciones sublimes, así que sin más preámbulo aquí les dejo mi top 20 del año que se acaba de desintegrar.
Últimas noticias
Virologist presentan nuevo sencillo Opium-Induced Extrasensory Entrancement de nuevo álbum Subjugation of Anthropoid FormsVirologist presentan nuevo sencillo Opium-Induced Extrasensory Entrancement de nuevo álbum Subjugation of Anthropoid Forms
Los estadounidenses de Virologist presentan su nuevo sencillo Opium-Induced Extrasensory Entrancement de su nuevo álbum llamado Subjugation of Anthropoid Forms y...
Sercifer 14.10.2026 59
Apotheus presentan nuevo sencillo Boundaries de nuevo álbum The Complex PermutationApotheus presentan nuevo sencillo Boundaries de nuevo álbum The Complex Permutation
Los portugueses de Apotheus presentan su nuevo sencillo Boundaries de su nuevo álbum llamado The Complex Permutation y editado a través de la banda.
Sercifer 14.10.2026 54
Reliqa presentan nuevo sencillo Serum de nuevo álbum High Risk ThoughtsReliqa presentan nuevo sencillo Serum de nuevo álbum High Risk Thoughts
Los australianos de Reliqa presentan su nuevo sencillo Serum de su nuevo álbum llamado High Risk Thoughts y editado a través de Nuclear Blast Records
Sercifer 14.10.2026 50
Heathen presentan nuevo sencillo Escapegoat de nuevo álbum Lifetime in HellHeathen presentan nuevo sencillo Escapegoat de nuevo álbum Lifetime in Hell
Los estadounidenses de Heathen presentan su nuevo sencillo Escapegoat de su nuevo álbum llamado Lifetime in Hell y editado a través de Napalm Records
Sercifer 14.10.2026 56
Graviton presentan nuevo sencillo Dissent Into Madness de nuevo álbum homónimoGraviton presentan nuevo sencillo Dissent Into Madness de nuevo álbum homónimo
Los estadounidenses de Graviton presentan su nuevo sencillo Dissent Into Madness de su nuevo álbum llamado como la banda y editado a través de Skepsis Recordings
Sercifer 13.10.2026 103
Withered Land presentan nuevo sencillo Judol Smutku de nuevo álbum Piesni VietruWithered Land presentan nuevo sencillo Judol Smutku de nuevo álbum Piesni Vietru
Los bielorrusos de Withered Land presentan su nuevo sencillo Judol Smutku de su nuevo álbum llamado Piesni Vietru y editado por Immortal Frost Productions
Sercifer 13.10.2026 98
Sable Hills presentan sencillo principal de nuevo álbum HomuraSable Hills presentan sencillo principal de nuevo álbum Homura
Los japoneses de Sable Hills presentan su sencillo principal de su nuevo álbum llamado Homura y editado a través del solido sello de Arising Empire
Sercifer 13.10.2026 90
Kalandra presentan nuevo sencillo Let Me Be Open de nuevo álbum The Other SideKalandra presentan nuevo sencillo Let Me Be Open de nuevo álbum The Other Side
Nuevo video de los noruegos de Kalandra presentan su nuevo sencillo Let Me Be Open de su nuevo álbum llamado The Other Side y editado a través de Norse Music
Sercifer 13.10.2026 91
Más noticias »
Clásicos
Venom - Black Metal - 1982Black Metal 

Venom

1982
“Black Metal” (1981) de Venom fue un disco que se quedo en el mundo metalero por el golpe de colocar a satán como parte de sus letras sin necesidad de ser satánicos apostólicos y romanos.
Speed Metal, Thrash Metal, Heavy Metal
Sercifer 08.10.2026 141
Annihilator - Schizo Deluxe - 2005Schizo Deluxe

Annihilator

2005
“Schizo Deluxe” (2005) de Annihilator es un disco que le dio la segunda vida a la banda y se encontró nuevas ideas, frescas, que inclusive pesaron mucho más que sus discos del pasado.
Thrash Metal, Groove Metal
Sercifer 08.10.2026 154
Will 'o' Wisp - Enchiridion - 1997Enchiridion

Will 'o' Wisp

1997
“Enchiridion” (1997) de Will 'o' Wisp es un disco que está perdida en el tiempo, pero que demuestra que hubo una joya así a finales de los 90 que tuvo mucho para exportar al mundo.
Progressive Death Metal
Sercifer 08.10.2026 140
Souledge - Blood Has No Limit - 2006Blood Has No Limit

Souledge

2006
“Blood Has No Limit” (2006) de Souledge dejaron un disco altísimo y bravo de escuchar en todo sentido, superando a su producción del 2004 y dejando la valla alta.
Death Metal
Sercifer 08.10.2026 172
Iommi / Hugues - Fused - 2005Fused

Iommi/Hugues

2005
Fused de Iommi/Hugues es un testimonio de la extraordinaria química de estas leyendas del Rock/Metal.
Heavy Metal, Alternative
Zeratulstra 09.09.2026 480
Metallerium 2002 - 2023

Metallerium 2002 - 2025
v6.6.6

(Versión 1.0.2 - 18.12.2025)

Donar con PayPal
Contacto
sercifer@hotmail.com
+51 982 050 656
Perú / México / Colombia

FacebookInstagramYoutube

 

hosting: ehostingperu.net y desarrollo: neurodrive.pro